Incredibles 2 is a 2018 American computer-animated superhero film produced by Pixar Animation Studios and distributed by Walt Disney Pictures. Written and directed by Brad Bird, it is a sequel to The Incredibles (2004) and the second full-length installment of the franchise. The story follows the Parr family as they try to restore public's trust in superheroes while balancing their family life, only to combat a new foe who seeks to turn the populace against all superheroes. Craig T. Nelson, Holly Hunter, Sarah Vowell and Samuel L. Jackson reprise their roles from the first film; newcomers to the cast include Huckleberry Milner, Bob Odenkirk, Catherine Keener and Jonathan Banks. Michael Giacchino returned to compose the score.
Incredibles 2 | |
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![]() Theatrical release poster | |
Directed by | Brad Bird |
Produced by | |
Written by | Brad Bird |
Starring |
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Music by | Michael Giacchino |
Cinematography |
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Edited by | Stephen Schaffer |
Production companies | |
Distributed by | Walt Disney Studios Motion Pictures |
Release date |
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Running time | 117 minutes[1] |
Country | United States |
Language | English |
Budget | $200 million[2][3] |
Box office | $1.243 billion[1] |
Incredibles 2 is a 2018 American computer-animated superhero film produced by Pixar Animation Studios and distributed by Walt Disney Pictures. Written and directed by Brad Bird, it is a sequel to The Incredibles (2004) and the second full-length installment of the franchise. The story follows the Parr family as they try to restore public's trust in superheroes while balancing their family life, only to combat a new foe who seeks to turn the populace against all superheroes. Craig T. Nelson, Holly Hunter, Sarah Vowell and Samuel L. Jackson reprise their roles from the first film; newcomers to the cast include Huckleberry Milner, Bob Odenkirk, Catherine Keener and Jonathan Banks. Michael Giacchino returned to compose the score.
Following the success of The Incredibles, Bird postponed development on a sequel to work on other films. He attempted to distinguish the script from superhero films and superhero television series released since the first film, focusing on the family dynamic rather than the superhero genre.
Incredibles 2 premiered in Los Angeles on June 5, 2018, and was theatrically released in the United States on June 15, 2018, in Disney Digital 3-D, Dolby Cinema, IMAX and IMAX 3D. The film received largely positive reviews and praise for its animation, voice acting, humor, characters, action sequences, and musical score, although it received some criticism for being derivative of its predecessor and the main villain. The film made $182.7 million in its opening weekend, setting the record for best debut for an animated film, and has grossed over $1.2 billion worldwide, making it the fourth highest-grossing film of 2018, the second highest-grossing animated film and the 15th highest-grossing film of all-time. Incredibles 2 was named by the National Board of Review as the Best Animated Film of 2018. The film was nominated at the 76th Golden Globe Awards and 91st Academy Awards, both for Best Animated Feature Film.
The Incredibles and Frozone battle the Underminer, who has just appeared to terrorize Metroville. Though they prevent the destruction of City Hall, they are unable to stop him from robbing a bank and escaping. The collateral damage caused by the incident outrages the government and prompts them to shut down the Superhero Relocation Program, leaving the Parrs without financial assistance. Violet's love interest Tony Rydinger also discovers her superhero identity, forcing agent Rick Dicker to erase his memory. Lucius informs Mr. Incredible and Elastigirl of an offer from Winston Deavor, a wealthy businessman. He and his sister Evelyn propose sending the heroes on secret missions which will be recorded and publicized to regain public trust in superheroes.
Due to Mr. Incredible's tendency to accidentally cause collateral damage, Winston chooses Elastigirl for the initial missions. While Elastigirl is away, Bob struggles with his new role as a stay-at-home parent: Dash has trouble with math homework, Violet becomes withdrawn after Tony unintentionally fails to show up at their date due to his memory wipe, and Jack-Jack wreaks havoc with his burgeoning superpowers. Bob brings Jack-Jack to Edna Mode, who develops a suit that controls his abilities, allowing Bob to relax from his parenting difficulties. Meanwhile, on her missions, Elastigirl encounters a mysterious supervillain called the Screenslaver, who projects hypnotic images using television screens. She tracks him down to his hideout in an apartment building, and unmasks him as a deliveryman with no recollection of his actions.
At a party celebrating the Screenslaver's arrest, Winston announces a summit of world leaders to legalize superheroes, hosted aboard his luxury yacht. Unsettled by the ease with which she captured the Screenslaver, Elastigirl realizes that he was controlled by a pair of mind-control goggles. Evelyn forces the goggles onto Elastigirl, revealing herself as the mastermind behind the Screenslaver. Evelyn explains that she has hated superheroes since Gazerbeam and Fironic failed to rescue her father from being killed by burglars, concluding that superheroes have taken independence from society. She plans to sabotage her brother's summit and cause a catastrophe that will tarnish the reputation of superheroes, ensuring they remain outlawed forever. Using Helen, she lures Bob into a trap, then sends another group of hypnotised superheroes previously invited to the summit to subdue the Parr children. Lucius tries to protect them, but is overwhelmed and placed under Evelyn's control.
Violet, Dash, and Jack-Jack escape with the help of the Incredibile, a high-tech car once owned by Bob during his time as Mr. Incredible, and reach Winston's ship. On board, the hypnotized Mr. Incredible, Elastigirl, and Frozone recite a vindictive manifesto on air to paint superheroes as a threat. They subdue the ship crew, aim the ship at Municiberg, and destroy the controls. The Incredible children reach them, upon which Jack-Jack removes Elastigirl's goggles, and she frees Mr. Incredible and Frozone. The Parrs and Lucius release the other mind-controlled superheroes by destroying their goggles, then work together to prevent the ship from crashing into the city by turning the rudders to the side. Evelyn attempts to escape in a jet, but is apprehended by Elastigirl and arrested. Due to their actions, superheroes around the world regain legal status.
Later, Tony, after getting reconnected to Violet, accompanies her to a movie with the family. When the Parrs spot a high-speed pursuit between police and gunmen, Violet leaves Tony at the theater, and the Incredibles give chase in a red Incredibile.
Following The Incredibles, Brad Bird directed his next film for Pixar, Ratatouille, which was released in June 2007. Near its premiere, Bird said he was open to an idea of a sequel to The Incredibles, but only if it could be better than the original. He stated, "I have pieces that I think are good, but I don't have them all together."[15] In a May 2013 interview, Bird reiterated his interest in a sequel: "I have been thinking about it. People think that I have not been, but I have—because I love those characters, and love that world ... I have many, many elements that I think would work really well in another Incredibles film, and if I can get 'em to click all together, I would probably wanna do that."[16] While publicizing the first film, Bird had already conceptualized the eventual approach where Bob and Helen would switch roles, and Jack-Jack would develop multiple powers unknown to the family.[17]
At the Disney shareholder meeting in March 2014, Disney CEO and chairman Bob Iger confirmed that Pixar was working on an Incredibles sequel, and that Bird would return as writer.[18] Bird started the script around April 2015,[19] and said that the Incredibles sequel would be his next film after Tomorrowland.[20]
One challenge in writing Incredibles 2 was how to deal with the large number of superhero films and television series that had been released since the first film, such as the Marvel Cinematic Universe.[21] To try to differentiate the sequel, Bird wanted to avoid tropes related to the superhero genre: "I don't think that kind of idea stays interesting for very long. For me, the interesting thing was never the superhero part of it. It was more the family dynamic, and how do superhero things play into that."[22] He said he wanted to include some unused ideas from the first film,[23][24] and that the new story would focus on Helen Parr / Elastigirl.[25]
Though the sequel was released fourteen years after the first, Bird did not want to use a narrative element like a timeskip or to come up with new characters, and instead continued from where the first film left off. This allowed him to keep characters with the same superpowers and not have to develop new ones, nor did he need to figure out how to deal with Violet and Dash being adults. This also allowed him to keep Jack-Jack as an infant with an array of powers, which Bird likened to how infants are able to understand numerous languages.[26] While the plot of the 2005 follow-up video game to The Incredibles, The Incredibles: Rise of the Underminer, begins at that same point of time,[27] the film discards the game's continuity. The film was produced with a production budget of $200 million.[2][3]
One advantage that Pixar had with Incredibles 2 was the advancement of technology the company had seen since the original film and a team of much more experienced animators. Producer John Walker said, "I think that one of the things that excited Brad and Ralph Eggleston, the production designer, was the fact that the technology existed now to finally realize the designs in the way that they had hoped to realize them in 2004. There were no notions of, 'Well, we don't know how to do long hair, we don't know how to do humans, we don't know how to do muscles.' Everybody knows how to do it. It's just now about doing it quickly."[28] Because Pixar no longer used the same systems from the first movie, all the characters had to be created from scratch on the computer again. The studio also used physically-based human eye models for the characters for the first time, even if the eyes are larger and more stylized than in real humans.[29]
Pixar announced in November 2016 that both Holly Hunter and Samuel L. Jackson would return to reprise their roles,[5][6] and at the July 2017 D23 Expo that both Craig T. Nelson and Sarah Vowell would also return with them. Spencer Fox, the original voice of Dashiell "Dash" Parr, was replaced in the sequel by younger newcomer Huckleberry Milner.[4] Also that July, Brad Bird and John Ratzenberger were confirmed as reprising their characters from the first film.[25][7]
In November 2017, Pixar announced that Bob Odenkirk and Catherine Keener had been signed to the cast.[7] In January 2018, it was announced that Sophia Bush and Isabella Rossellini would voice new characters Voyd and The Ambassador, while Jonathan Banks would voice Rick Dicker after the character's original voice actor Bud Luckey retired in 2014;[8][9] after his death in 2018, the film was dedicated to Luckey's memory.[30]
In 2015, Bird confirmed that Michael Giacchino would return to compose the score.[31] Giacchino began work around May 2017.[32] The soundtrack album was released on June 15, 2018. In addition to the film's score, it includes the vocalized theme songs for Mr. Incredible, Frozone, and Elastigirl heard in the credits, as well as bonus versions of the songs sung by Disney's a cappella group, DCappella, and the latter's version of the track "The Glory Days" from the first film.[33]
All music composed by Michael Giacchino, except where noted, and additional music by Mick Giacchino.
Incredibles 2: Original Motion Picture Soundtrack | ||
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No. | Title | Length |
1. | "Episode 2" | 0:50 |
2. | "A Tony Perspective" | 2:08 |
3. | "Consider Yourselves Undermined!" | 5:12 |
4. | "A Matter of Perception" | 1:50 |
5. | "Diggin' the New Digs" | 1:42 |
6. | "This Ain't My Super-Suit?" | 0:57 |
7. | "Elastigirl Is Back" | 1:00 |
8. | "Train of Taut" | 3:17 |
9. | "Rocky vs. Jack-Jack" | 1:58 |
10. | "Ambassador Ambush" | 2:29 |
11. | "Hero Worship" | 1:08 |
12. | "Searching for a Screenslaver" | 4:40 |
13. | "Super Legal Again" | 0:42 |
14. | "Renouncing the Renunciation" | 1:38 |
15. | "World's Worst Babysitters" | 1:33 |
16. | "Helen of Ploy" | 0:55 |
17. | "A Dash of Reality" | 2:03 |
18. | "Hydrofoiled Again" | 3:51 |
19. | "Jack Splat" | 1:30 |
20. | "A Bridge Too Parr" | 4:17 |
21. | "Together Forever and Deavor" | 1:45 |
22. | "Elastigirl's Got a Plane to Catch" | 3:00 |
23. | "Looks like I Picked the Wrong Week to Quit Oxygen" | 1:59 |
24. | "Happily After-Deavor" | 1:15 |
25. | "Out and a Bout" | 0:36 |
26. | "Incredits 2" | 9:51 |
27. | "Here Comes Elastigirl – Elastigirl's Theme" (lyrics also by Michael Giacchino) | 1:23 |
28. | "Chill or Be Chilled – Frozone's Theme" (lyrics by Brad Bird) | 1:40 |
29. | "Pow! Pow! Pow! – Mr. Incredible's Theme" (lyrics also by Michael Giacchino) | 1:31 |
30. | "Devtechno!" | 1:53 |
31. | "Chad Tonight Talk Show Theme" (written by Daniel Farid, Grace Giacchino and Michael Giacchino) | 0:05 |
32. | "Chad Tonight Newscast Bumper" (written by Daniel Farid, Grace Giacchino and Michael Giacchino) | 0:06 |
33. | "Here Comes Elastigirl – Elastigirl's Theme (A Cappella)" (performed by DCappella) (digital bonus track) | 1:20 |
34. | "Chill or Be Chilled – Frozone's Theme (A Cappella)" (performed by DCappella) (digital bonus track) | 1:36 |
35. | "Pow! Pow! Pow! – Mr. Incredible's Theme (A Cappella)" (performed by DCappella) (digital bonus track) | 1:31 |
36. | "The Glory Days (A Cappella)" (performed by DCappella) (digital bonus track) | 1:39 |
Total length: | 74:50 |
The official premiere of Incredibles 2 took place in Los Angeles on June 5, 2018.[34][35] It was theatrically released in the United States on June 15, 2018,[36] including an IMAX release as part of Disney's new distribution deal with IMAX, but only in 2D.[37] It is accompanied by Pixar's short film Bao.[38] The film's release was originally scheduled for June 21, 2019, but the date was moved forward after Pixar handed the 2019 release date over to Toy Story 4, after its production fell behind schedule.[36]
A 53-second teaser trailer premiered on November 18, 2017 during ESPN's broadcast of College GameDay. It received 113.0 million views in its first 24 hours, becoming the most viewed trailer for an animated film up until the release of the teaser trailer for Frozen 2 in February 2019, which surpassed it with 116.4 million views in its first 24 hours. It is also the 14th most-viewed trailer overall.[39] A new sneak peek premiered during the 2018 Winter Olympics on February 14.[40] On April 13, a new trailer was released.[41]
An Incredibles 2 graphic novel and comic miniseries was published by Dark Horse Comics in 2018. The graphic novel, titled Incredibles 2: Heroes at Home, was written by Liz Marsham and illustrated by Nicoletta Baldari. A comic miniseries, titled Incredibles 2: Crisis in Mid-Life! & Other Stories, was written by Christos Gage and Landry Walker, and illustrated by Gurihiru, J. Bone, Andrea Greppi and Roberta Zanotta.[42][43][44]
In May 2018, a prose novel was released entitled Incredibles 2: A Real Stretch: An Elastigirl Prequel Story, which focuses on the life of the character Elastigirl before the events of the first film.
A Lego video game adaptation of both films was released on the same day as Incredibles 2.[45]
Incredibles 2 was released on digital copy on October 23, 2018, and on 4K UHD Blu-ray, Blu-ray, and DVD on November 6, 2018.[46]
Incredibles 2 grossed $608.6 million in the United States and Canada, and $634.2 million in other territories, for a total worldwide gross of $1.243 billion.[1]
On July 1, 2018, the film passed $648 million at the worldwide box office, surpassing the $633 million the original film made in its entire theatrical run.[47] It is currently the ninth highest-grossing film of all-time domestically and the highest-grossing animated film domestically.[48][49] The film crossed the $1 billion mark on July 30, 2018, becoming the seventh animated film and the 36th film of all-time to reach the milestone. It was also the fifth animated Disney film, the third Pixar film, and Disney's 18th film overall to gross $1 billion worldwide, as well as the fastest animated film to gross $1 billion, doing so in 46 days, surpassing Minions (49 days).[50] On August 12, the film surpassed Toy Story 3 ($1.067 billion) to become the highest-grossing Pixar film worldwide.[51]
In April 2018, early box office projections had Incredibles 2 grossing $110 million in its opening weekend in the United States and Canada.[52] In May 2018, a month before the film's release, tracking revised to an opening weekend of $140 million or more.[53] A week prior to the film's opening, Fandango reported that pre-sale of tickets for the film had exceeded that of previous mid-year blockbusters Finding Dory, Wonder Woman, Spider-Man: Homecoming and Suicide Squad at the same point in their release cycles.[54] By the week of its release, opening weekend projections had reached upwards of $150 million.[55] A day before release, it became Fandango's top pre-selling animated film of all-time, outselling the previous record-holder, Finding Dory.[56]
The film grossed $18.5 million from Thursday night previews, increasing weekend projections to as high as $174 million. The previews set the record for an animated film, doubling Finding Dory's $9.2 million, and were higher than the likes of fellow superhero films Spider-Man: Homecoming, Thor: Ragnarok and Justice League. It made $71.6 million on its first day, including previews, the best-ever for an animated film (besting Dory's $54.7 million by 31%) and 14th highest all-time. It went on to debut to $182.7 million, the eighth best opening of all-time, far ahead of Finding Dory's animated record of $135.1 million and more than the entire lifetime gross of Pixar's A Bug's Life ($162.8 million), Cars 3 ($152.9 million) and The Good Dinosaur ($123.1 million).[57][58]
The film set animated records for its Monday and Tuesday grosses, making $23.9 million (beating the $23.4 million made by Shrek 2 in May 2004)[59] and $27.1 million (beating Finding Dory's $23.1 million), respectively. Its Tuesday gross also set a June record, topping Jurassic World ($24.3 million in 2015).[60] By Thursday, its seventh day of release, the film had grossed $269.4 million, topping the entire lifetime domestic gross of the original, not accounting for inflation ($261.4 million). In its second weekend the film dropped 56% to $80.9 million, finishing second behind newcomer Jurassic World: Fallen Kingdom ($148 million), marking the first time two films opened to over $100 million in back-to-back weekends.[61] It remained in second place in its third and fourth weekends, grossing $45.5 million and $29 million, respectively.[47] On July 7, its 23rd day of release, the film crossed $495 million, passing Finding Dory to become the highest-grossing animated film and Pixar's highest-grossing film of all-time domestically,[62] and the following day became the first animated film to gross over $500 million domestically.[63] On September 2, its 80th day of release, it became the first animated film to gross over $600 million domestically.[64]
Outside North America, the film made $51.5 million from 25 countries in its opening weekend, for a global debut of $231.5 million. Mexico was the largest debut with $12.3 million, followed by Australia ($7.7 million) and Russia ($5.4 million).[65] In its second weekend of release the film made $58.6 million from 28 countries, bringing its two-week total to $134.7 million. Its largest market was China where it made $21.2 million, the best ever opening for a Pixar film in the country. It was also released in India where it made $3.3 million.[66] In the United Kingdom, the film grossed $12.6 million in its opening weekend, the second biggest opening for Pixar after Toy Story 3.[67][68] As of November 18, 2018[update], The biggest markets in terms of total earnings are the United Kingdom ($73.1 million), followed by China ($51.5 million), Japan ($43.9 million), France ($41.7 million), and Brazil ($37.6 million).[69]
On review aggregator Rotten Tomatoes, the film holds an approval rating of 93% based on 335 reviews, with an average rating of 7.8/10. The website's critical consensus reads, "Incredibles 2 reunites Pixar's family crimefighting team for a long-awaited follow-up that may not quite live up to the original, but comes close enough to earn its name."[70] On Metacritic, which assigns a normalized rating to reviews, the film has a weighted average score of 80 out of 100, based on 51 critics, indicating "generally favorable reviews".[71] Audiences polled by CinemaScore gave the film a rare grade of "A+" on an A+ to F scale, the same score as the first film, while PostTrak reported filmgoers gave it a 93% overall positive score and an 83% "definite recommend".[57]
Robert Abele of TheWrap praised the film, saying: "Whatever the opposite of phoning in a sequel is, that's Brad Bird's progressive-minded, thunderously fun mix of super saves, throwback aesthetics and family comedy."[72] A.A. Dowd, writing for The A.V. Club, felt it was "A sparkling contraption of an animated comedy, funny and often wondrous in its midcentury-modern vision of an alternate America frozen in the amber of a bygone idealism."[73] David Ehrlich of IndieWire gave the film a "B+", saying: "When the Parrs are pushed out of their comfort zone, Bird settles into his... [after] inciting a Spielberg-level monorail chase that reaffirms Bird's lucid gift for kinetic and character-driven action filmmaking, the movie blasts off and never looks back."[74] Stephanie Zacharek from Time considered it "bold [and] rapturously entertaining,"[75] while David Sims at The Atlantic dubbed it "dazzling, thought-provoking, and sometimes overwhelming in terms of plotting."[76]
Variety's Owen Gleiberman called the film "fun but far from incredible" and wrote "It's true that the Toy Story films, all three of which are fantastic, did variations on the same theme of a toy's obsolescence, but as movies they kept the emotions close to the surface. In Incredibles 2, we never get that rush of feeling."[77] Michael Phillips of the Chicago Tribune gave the film 2.5 out of 4 stars and said, "Incredibles 2 is content to punch the clock and stick to straight, bombastic action mode. In that mode, composer Giacchino's music is the most successful element, running nimble, beautifully orchestrated variations on themes that feel familiar in the best ways while retaining their spark. The animation is bright and visually dynamic. The script, well ... if the title were Satisfactories 2, it'd be about right."[78] Ty Burr for The Boston Globe called it a "clattery, unfocused affair that at times is more irritating than fun."[79]
Many disability advocates, including the Epilepsy Foundation, have raised concerns that scenes with flashing lights, particularly the scene of Elastigirl's fight with the Screenslaver, can trigger seizures in viewers affected by photosensitive epilepsy.[80][81][82] As a result, several theaters posted warnings for audiences.[83] Disney issued a statement to USA Today stating that they appreciated the efforts the theaters had already made in making signs warning people seeing the movie. They then asked theaters to warn audiences about the scene in a memo that read, "Incredibles 2 contains a sequence of flashing lights, which may affect customers who are susceptible to photosensitive epilepsy or other photosensitivities."[84]
In response to this, the UK released a re-edited version[85] of the film with all affected sequences altered so that any flashing lights and strobe effects now pass the Harding test.[86]
Award | Date of ceremony | Category | Recipient(s) | Result | Ref. |
---|---|---|---|---|---|
Academy Awards | February 24, 2019 | Best Animated Feature | Brad Bird | Pending | [87] |
Alliance of Women Film Journalists | January 10, 2019 | Best Animated Feature Film | Nominated | [88] | |
Best Animated Female | Holly Hunter as Elastigirl | Won | |||
Annie Awards | February 2, 2019 | Annie Award for Best Animated Feature | Brad Bird, John Walker and Nicole Paradis Grindle | Nominated | [89] |
Outstanding Achievement for Animated Effects in an Animated Feature Production | Greg Gladstone, Tolga Göktekin, Jason Johnston, Eric Lacroix and Krzysztof Rost | Nominated | |||
Outstanding Achievement for Character Animation in an Animated Feature Production | Lance Fite | Nominated | |||
Outstanding Achievement for Character Design in an Animated Feature Production | Matt Notle | Nominated | |||
Annie Award for Directing in a Feature Production | Brad Bird | Nominated | |||
Annie Award for Music in a Feature Production | Michael Giacchino | Won | |||
Outstanding Achievement for Storyboarding in an Animated Feature Production | Dean Kelly | Won | |||
Bobby Alcid Rubio | Nominated | ||||
Annie Award for Voice Acting in a Feature Production | Holly Hunter | Nominated | |||
Annie Award for Writing in a Feature Production | Brad Bird | Nominated | |||
Outstanding Achievement for Editorial in an Animated Feature Production | Stephen Schaffer, Anthony J. Greenberg and Katie Schaefer Bishop | Nominated | |||
British Academy Children's Awards | November 25, 2018 | Feature Film | Brad Bird, John Walker and Nicole Paradis Grindle | Nominated | [90] |
British Academy Film Awards | February 10, 2019 | Best Animated Film | Brad Bird, John Walker and Nicole Paradis Grindle | Nominated | [91] |
Chicago Film Critics Association Awards | December 7, 2018 | Best Animated Feature | Brad Bird | Nominated | [92] |
Critics' Choice Movie Awards | January 13, 2019 | Best Animated Feature | Nominated | [93] | |
Detroit Film Critics Society | December 3, 2018 | Best Animated Film | Nominated | [94] | |
Golden Globe Awards | January 6, 2019 | Best Animated Feature Film | Nominated | [95] | |
Hollywood Music in Media Awards | November 14, 2018 | Original Score – Animated Film | Michael Giacchino | Nominated | [96] |
Humanitas Prize | February 8, 2019 | Family Feature Film | Brad Bird | Nominated | [97] |
Los Angeles Film Critics Association | December 9, 2018 | Best Animated Feature | Incredibles 2 | 2nd Place | [98] |
National Board of Review | November 27, 2018 | Best Animated Film | Brad Bird | Won | [99] |
New York Film Critics Circle Awards | November 29, 2018 | Best Animated Feature | Incredibles 2 | Nominated | [100] |
New York Film Critics Online | December 9, 2018 | Best Animated Feature | Nominated | [101] | |
Phoenix Critics Circle | December 15, 2018 | Best Animated Feature | Nominated | [102] | |
San Diego Film Critics Society | December 10, 2018 | Best Animated Feature | Nominated | [103] | |
San Francisco Film Critics Circle | December 9, 2018 | Best Animated Feature | Nominated | [104] | |
Seattle Film Critics Society | December 17, 2018 | Best Animated Feature | Brad Bird | Nominated | [105] |
St. Louis Film Critics Association | December 16, 2018 | Best Animated Feature | Incredibles 2 | Nominated | [106] |
People's Choice Awards | November 11, 2018 | Favorite Family Movie | Won | [107] | |
Movie of 2018 | Nominated | ||||
Satellite Awards | February 22, 2019 | Best Animated or Mixed Media Film | Brad Bird | Nominated | [108] |
Teen Choice Awards | August 12, 2018 | Choice Summer Movie | Incredibles 2 | Won | [109] |
Visual Effects Society Awards | February 5, 2019 | Outstanding Visual Effects in an Animated Feature | Brad Bird, John Walker, Rick Sayre, Bill Watral | Nominated | [110] |
Outstanding Animated Character in an Animated Feature | Michal Makarewicz, Ben Porter, Edgar Rodriguez, Kevin Singleton for Helen Parr | Nominated | |||
Outstanding Created Environment in an Animated Feature | Christopher M. Burrows, Philip Metschan, Michael Rutter, Joshua West for The Parr House | Nominated | |||
Outstanding Model in a Photoreal or Animated Project | Neil Blevins, Philip Metschan, Kevin Singleton for Underminer Vehicle | Nominated | |||
Outstanding Effects Simulations in an Animated Feature | Paul Kanyuk, Tiffany Erickson Klohn, Vincent Serritella, Matthew Kiyoshi Wong | Nominated | |||
Washington D.C. Area Film Critics Association Awards | December 3, 2018 | Best Animated Feature | Brad Bird | Nominated | [111] |
Best Animated Voice Performance | Holly Hunter | Nominated |
Following the release of Incredibles 2, director Brad Bird acknowledged that the film's truncated production schedule resulted in many plotlines and ideas he had for the film being cut from the final version. He cited Pixar's decision in October 2016 to swap the release dates of Toy Story 4 and Incredibles 2, which meant that Bird's film lost a full year of production. Bird stated that the lingering plotlines could lead to a third installment, just as they did with the second. "There were a lot of ideas that we had on this film that could be [used]... whether it's another Incredibles film, or something else." Cast members including Samuel L. Jackson and Sophia Bush have expressed interest in reprising their roles. Producer John Walker would not "rule [a third film] out".[112]
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